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We present a programme of songs and readings by female troubadours and trouveres from 12th and 13th century France, as well as anonymous songs from a female perspective depicting the life and experiences of a medieval lady. Female troubadours include Beatriz de Dia, Clara d’Anduza, Castelloza, and Azalais de Porcairagues. Female trouveres include the Queen of France Blanche de Castille, the Duchess of Lorraine, and Maroie de Dregnau de Lille, all of whom are rarely performed. Women’s songs include narrative chansons de toile, humorous mal mariée songs of marital discontent and moving laments for a distant lover. We link the songs with readings by Marie de France, a medieval writer with feminist tendencies, and other leading ladies of the time who were important musical patrons. Songs are interspersed with lively fiddle dances. (Premiered at the York Festival 2005 and recorded by BBC Radio 3.)
Songs of fate and favour from the famous Carmina Burana manuscript and love songs from the German Minnesang tradition, both poignant and witty, present a fascinating view of the thoughts and dreams of medieval poet-composers. We include a dramatic extract from the epic romance of Tristan and Isolde (by Gottfried von Straßburg). Other pieces in medieval German include songs by Neidhart von Reuental and polyphony by ‘the last Minnesänger’ Oswald von Wolkenstein. These contrast with the mostly Latin songs of the 13th century Carmina Burana collection and French songs to which these are closely related. Themes include the fickleness of fortune, moving declarations of love, solemn prayers and earthy depictions of village life. Virtuosic dances performed on vielle and symphony complete this unusual programme. (Premiered at Belgian International Day of Early Music, 2003.)
The pain of unrequited love, the pleasures of spring, and the chivalry of serving a liege-lady: we present various aspects of the theme of love, both serious and light-hearted, expressed through song and contemporary verse. The troubadour culture centred around the courtly love ideal. We combine some of the richest works from the medieval repertory by major troubadours and trouveres including Bernart de Ventadorn, Guiraut de Bornelh, Gauclem Faidit and Colin Muset, with rarely heard two-part polyphonic settings by Machaut (‘the last trouvere’ and herald of the new ‘Ars Nova’ era). These are interspersed with brilliant and moving instrumental interludes performed on fiddle and hurdy-gurdy. (Premiered at Dutch Early Music Network tour, 2002.) |
